Music, art, film, and culture — from the underground to the spotlight.
A breathtaking collision of the world's biggest electronic dance anthems with a full live orchestra, DJs, and vocalists — Synthony is the live music spectacle rewriting the rules of what a concert can be.
From the streets of Raleigh, NC, Madrique Sanders built the DOC label from the ground up — a self-made artist, producer, and entrepreneur redefining what independent hip-hop looks like.
From post-wall Dresden to global charts with 'Hypnotized' and 'In The Dark', Tino Piontek built the defining sound of modern nu-disco and house.
From her teenage debut in Jönköping to ABBA's global dominance and a remarkable solo renaissance, Agnetha Fältskog is one of pop music's most enduring and emotionally powerful voices.
On August 11, 1973, a teenager named Clive Campbell threw a back-to-school party in the Bronx. What happened that night changed music forever.
From the misty landscapes of New Zealand, Celia Farran channels ancient myth and modern soul into music that feels like a ceremony.
A turntablist, producer, and hip-hop lifer who built his reputation one set at a time — DJ Crazy B is the underground legend your playlist has been missing.
Before sampling was a genre, before DJing was a career, Grandmaster Flash was in the Bronx rewiring turntables and inventing the future of music.
From the Bronx to the world stage, turntablism transformed the record player from a playback device into the most expressive instrument in modern music.
Born in Chicago, raised across continents, and now rooted in the Celtic tradition — Sarah McQuaid's music carries the weight of everywhere she has ever been.
With a resonator guitar, a whisky-soaked voice, and a stage presence that fills any room, Dave Arcari is the most dangerous bluesman you haven't heard yet.
For over three decades, Mississippi Heat has kept the Chicago blues flame burning bright — raw, soulful, and utterly uncompromising.
Mark Ramsey Gott writes songs the way other people write confessions — raw, unguarded, and impossible to look away from.
Equal parts showman and technician, Krazy DJ Bazarro has been tearing up dancefloors and confounding expectations for years.
Long before Drake put Toronto on the map, Choclair was laying the foundation for Canadian hip-hop with bars, beats, and an undeniable presence.
Part rock, part soul, part something entirely their own — Mechanical Wonders are the band that refuses to be put in a box.
From The Death Collector to Here's Yianni, Joe Cortese has spent decades crafting performances that linger long after the credits roll.
Warren Malone's latest single 'Consumed' is a slow-burning meditation on obsession, longing, and the spaces between words.
With a voice that moves between cathedral darkness and intimate warmth, Debbi Lisa is one of the most singular artists working today.
From stage to screen, Andrew Gillies brings a rare depth to every role — a versatile actor whose performances leave a lasting impression.
Mic Mountain raps like every verse is a summit attempt — relentless, purposeful, and always reaching higher.
Bruse Wane operates in the shadows of the rap game — a lyricist's lyricist whose verses reward close listening.
Thee Phantom moves through the music industry like a rumor — always present, rarely seen, and impossible to ignore once you've heard the work.
FTD is one of the most misunderstood and misdiagnosed forms of dementia — and one of the most devastating for families to navigate.
Men are statistically less likely to seek medical help, less likely to talk about their health, and more likely to die from preventable conditions. It's time to change that.
The gatekeepers are gone. The tools are democratized. So why is it still so hard to make a living as an independent artist?
A personal reflection on what drew me to Mary Kelly's Post-Partum Document — the refusal of sentiment, the politics of domestic labor, and why making the invisible visible still matters.
Mary Kelly's Post-Partum Document (1973–79) transformed the private experience of motherhood into a subject of serious artistic and intellectual inquiry — challenging the male gaze and redefining what counts as art.
Alfred Hitchcock's films are masterclasses in the mechanics of the gaze — where the camera becomes an instrument of desire, surveillance, and power.
Matthew Barney's five-film Cremaster Cycle is one of the most ambitious and bewildering works of contemporary art — a mythology built from muscle, ritual, and spectacle.
Leonardo's most famous painting has been looked at for five centuries — but who has been doing the looking, and what does that tell us?
From Judith Butler to Zanele Muholi, artists have long used their practice to interrogate, destabilize, and reimagine what gender means.
Two artists, two very different practices, one shared obsession — the construction of identity in a world saturated by images.
Sherrie Levine's President Collages (1979) ask a simple, devastating question: who owns an image, and what happens when a woman takes it?
Catherine Opie's Being and Having (1991) confronts the viewer with faces that refuse to be categorized — a landmark series in queer photography.
For centuries, women artists were written out of the canon. Here are some of the names that should have been there all along.
